2001太空漫游

　　圣·特鲁佩斯城来了一些外星人。他们进而化装成平民。时而冒充警察了解人类的生活。当地警察负责搜捕。但外星人变化无穷，神秘莫测，层出不穷的误会和笑话把警察们搞得狼狈不堪。在一次交锋中，警察意外发现外星人怕水，于是，巧使计谋，使用水攻……

　　吉姆（克里斯·普拉特 Chris Pratt 饰）是阿瓦隆号飞船上的一位工薪阶层旅客，在飞船前往太空殖民地家园2号的120年旅途中，因一次意外，他从冷冻睡眠中醒来。发现自己有可能要在这艘巨船上独自度过89年，吉姆试着重新入睡，但最终只能在安置了5000个同行人员的睡眠舱中孤独生活，处于自杀边缘的吉姆绝望中孤注一掷，于是，他唤醒了一名女乘客奥罗拉（詹妮弗·劳伦斯 Jennifer Lawrence 饰），两人在相处的期间产生了爱情的火花。而当飞船的操作系统瘫痪，这对情侣面临着更大的问题，生命受到威胁的不仅仅是他们自己，也包括同行的旅伴，和航行本身。

　　Eternal life technology (transferring mind to new body) is developed by 2 companies. Resistance to the merger of the 2 companies is met with kidnapping and murder.

　　一场大雨过后，平静的城市里，植物上的水滴中正萌发出奇怪的生物……
　　供职于卫生署的伊丽莎白（Brooke Adams 饰）在郊外采集到一株小型植物，她向丈夫杰弗里解释这很可能是新发现的物种。与此同时，伊丽莎白的同事马修（唐纳德•萨瑟兰 Donald Sutherland 饰）正因为一丝不苟的执法而遭到报复。第二天，伊丽莎白惊奇的发现杰弗里行为反常，举止木讷，伊丽莎白请求马修的帮助，随后他们发现有更多人状态发生了变化，伊丽莎白更目击杰弗里与一群陌生人接头，不久，有多人死于身体变异，他们周身萌发出白色的须状物，形同植物。马修向政府反映当地的生物危机，然而只得到冷漠的回应，人群的异化正在扩散，伊丽莎白和马修处境孤立，但仍然试图拯救城市……

　　In the not too distant future, a very smoggy and overpopulated Earth government makes it illegal to have children for a generation. One couple, unsatisfied with their substitute robot baby, breaks the rules and gets in a lot of trouble. (Z.P.G. stands for Zero Population Growth).

　　欢迎来到Rekall，它是一个能够把你的梦境变成现实的工厂。主人公道格拉斯·奎德（柯林·法瑞尔 Colin Farrell 饰）是一名普通的工厂工人。尽管他有一位漂亮的妻子（凯特·贝金赛尔 Kate Beckinsale 饰），两人看似恩爱，但他内心似乎依然不满足。思绪旅行听起来像是个完美的假期，让他从沮丧的生活中得到放松——作为一名特工的真实记忆可能正是他所需要的。但是当这个过程出现可怕的异常时，奎德变成了一个被追杀的逃犯。他发现自己正在躲避受考哈根长官（布莱恩·科兰斯顿 Bryan Cranston 饰）控制的警察，没有一个人是奎德可以信任的，除了一名叛军的女战士（杰西卡·贝尔 Jessica Biel 饰），她为地下抵抗组织的首领（比尔·奈伊 Bill Nighy 饰）工作。幻想和现实之间的界线变得模糊，他的命运凶吉难卜，因为奎德发现了他的真实身份，他的真爱，还有他真正的命运。
　　本片改编自菲利普·K·迪克的著名短篇小说《We Can Remember It For You Wholesale》。

　　一场惊天动地的大地震，让设在海平面下的实验室危在旦夕！
　　一场毁灭性的地震，让6名驻扎于海底的研究人员受困于即将被淹没的研究设施，唯一的生存之路竟然只剩下徒步经由海底平面走到遥远的废弃钻井台。
　　在这充满挑战的旅途中，他们很快就意识到，除了得依靠简陋装备克服缺氧危机，某种前所未见、致命的海底掠食者已被唤醒，并将他们当作猎物般的追击扑杀…

　　海伦（琳德西·冯塞卡 Lyndsy Fonseca 饰）是一名科学家。一天，她接到了一通来自自己的神秘电话，随即便深陷于危险之中。迫不得已之下，她不得不闯入一个高度机密的设施并穿越时空回到过去，阻止一场谋杀。

官方宣布第二部

　　故事讲述2092年，胜利号飞船在太空中展开的冒险，金泰梨饰演胜利号船长，宋仲基饰演问题飞行员。

　　Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey.
　　In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.
　　The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.