Charlie,anotoriousserialkillerknownastheMidnightManglerfindshimselftrapped,relivingthesameviolentnightoverandover.Initiallyembracinghisgrislyurges,Charliesoonbecomesdesperatetoescapetheendlessnightmare.
故事发生在未来世界，阿龙（黎明 饰）和阿强（张学友 饰）都是抓捕妖兽的特警队警员，但是上司（袁和平 饰）非常器重阿龙，而对阿强就戒心重重。阿强气不过在酒吧买醉，得到了女友（李若彤 饰）的支持宽慰。然而，他心头总是笼罩着阴影——原来阿强的母亲也是妖兽，后来他把这个隐秘告诉了阿龙。阿龙也坦白了自己跟妖兽幻姬（李嘉欣 饰）的一段感情…… 此后，阿龙在一次抓捕元大宗（仲代达矢 饰）的行动中，重逢了现已成为元妻的幻姬，情急之下却要引出重重误会。其实，元大宗是要跟人类合作的妖兽，但是另有一股液态妖兽正在肆虐地侵袭这个城市。在对抗液态妖兽的过程中，阿龙与幻姬的感情经历了生死的考验，但是元大宗的儿子鬼众道（张耀扬 饰）却设计离间意图消灭人类，与此同时阿强也发现了特警队的叛徒……
故事发生在一个电脑科技极为发达的年代，一名科学家发明了一个杀人程序协助警方办案，其中集结了数百名连环杀手的资料和他们的作案手法。这个程序是如此的邪恶，最后不仅生成了个人意志，更拥有了人类的外表和可以随时修复任意损伤的特殊能力，它从禁锢中逃脱了出来，在世间作恶。 为了捕捉这位邪恶的“凶手”，警方设计了一个追踪仪器，罪犯帕克（丹泽尔·华盛顿 Denzel Washington 饰）被选中成为了仪器的试验品。帕克曾经亦是一名警察，却因为动用私刑杀死了让他家破人亡的杀手而被免除了职务打入大牢。而让帕克感到在意的是，在杀人程序中，亦有当年杀害他家人的那名杀手的存在。
是一个融合现代科技、维度穿越、动作、喜剧、烧脑等流行元素的美剧式故事。宇宙万物，存在于不同的时间与空间中，称之为“时空”，各个时空彼此平行，永不交错，除非，在两个平行空间中，出现了两个完全吻合的断点...梦是什么?如果梦是时空中的平行线，那现实又是什么? 影片将于2016年2月26日在爱奇艺独家播映！
Post-nuclear-war dramas centering on a small group of survivors now constitute an entire genre in science-fiction films. All of them, in some way or another, can be traced back to this seminal film from 1951 in which five people deal with the possibility they are the only human beings left alive on the planet. While most of the later movies exploited this possibility for B-movie thrills, "Five" adopts a quiet, contemplative tone which some may find dull but which thoughtful viewers are more likely to find, for want of a better word, haunting. There is something about this movie which gets under the skin and which lurks in the corners of the mind long after it's over.
Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey. In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed. The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.
Based on the novel by Karel Capek, the prominent Czech writer of the early 20th century who coined the word robot for his play R.U.R., the story revolves around a discovery of Krakatit - a powerful explosive - by Prokop, an experimental scientist who, following an accidental explosion in his lab, slips in and out of delirium. When he realises that, in a delirious period, he has given the formula for making Krakatit to one of his colleagues, he tries to find the man, who does not realize how dangerous a thing Krakatit is. In the process, he nearly gives his discovery away again to foreign interests, a group of anarchists, and even greater forces of darkness...
The morning Stella decides to take her own life, a stranger knocks at her door claiming the guest room he booked for the night. Surprised but charmed by this man who seems to know her very well, Stella decides to let him in. But when Sandro, the man who broke Stella's heart, joins them at home, this odd situation turns immediately into chaos.
2020年，在香港首次发现稳定虫洞，人们可以通过稳定虫洞回到历史上的时间节点，为了防止有人通过虫洞回到历史并破坏历史，时空管理局应运而生。 时空管理局担负着校正历史、让历史按着既定轨道运行的使命。然而时空守卫队队长左石，却突然率领五名部下，携带着超出时代进程的枪支武器，闯入虫洞，回到了历史中的秦阳城，意图以颠覆历史要挟时管局在48小时内关闭虫洞。 为了挽救历史，女探员景彤临危受命与前守卫队队长秦朗，带领新组建的守卫队，配备青铜武器回到历史之中，阻止左石一行。
主要讲述了未来世界人与机械武器之间的爱恨情仇。
Molly Dunn（Jhey Castles 饰）从小热爱地理，她曾在半夜做实验闹得家人不得安宁，但是她并不是一个十分幸运的孩子，父亲很早就死于一场地震灾害中。长大后Molly成为了一名地质学家，在一所大学教书，某天她正在做一项预测地震的试验，安放在各处的传感器数据显示即将会有一场大地震发生，她必须通知所有人撤离，但是她的力量实在太薄弱了，并没有人愿意听信她的预测，地震如期而至，她只有与时间赛跑，尽可能的拯救更多的人。
1982年冬天，挪威科考队的一架直升机突然打破了南极大陆的平静，直升机疯狂的追逐一只雪橇犬，最后坠毁在美国科考营地的附近。美国科考队员对挪威考察队近期人员骤减的情况有所耳闻，于是飞行员麦克（Kurt Russell 饰）与众人赶赴挪威营地，结果看到的是一地破败中四处散落着奇怪的尸体，并有证据表明挪威人得到了某种冰封状态中的生物。医生布莱尔（Wilford Brimley 饰）研究了尸体的变异却无法破解成因。当晚，犬笼中的狗遭到袭击并发生了变异，一种不可知的生物正在这孤寂的南极大陆威胁着科考队员们的生命…… 本片翻拍自1951年由霍华德•霍克斯指导的《The Thing From Another World》。
