曾荣获奥斯卡金像奖的著名导演安德鲁·斯坦顿带来全新力作《异星战场》，一部以神秘壮丽的火星为背景的史诗动作冒险巨制。影片根据埃德加·赖斯·巴勒斯于20世纪初创作的经典科幻小说《火星公主》改编，故事 讲述美国内战时期，饱受创伤的前军官约翰·卡特（泰勒·克奇 Taylor Kitsch 饰）无意间穿越到了火星。由于引力不同，约翰成为了力大无穷、弹跳如飞的“超人”，也因此卷入当地几大族群的冲突，周旋于美丽的公主德佳·索丽斯（琳恩·柯林斯 Lynn Collins 饰），英勇的盟友塔斯·塔卡斯（威廉·达福 Willem Dafoe 饰）与狡猾的敌人萨博·赞恩之间。然而地球上战火纷飞带来的痛苦，早已让约翰无心恋战；虽然几大族群都将他视为能够拯救火星的关键人物，可他真的能抛下过去，担负起保卫人民的重任，拯救这个水深火热的世界，扭转异星战场的命运吗？

　　一部充满动作戏的间谍惊悚片。娜塔莎·罗曼诺夫/黑寡妇遭遇与她的过去相关的一场危险阴谋，将直面自己那些更为黑暗的经历。一股不惜一切要击倒她的力量袭来，娜塔莎必须面对自己在成为复仇者的很久之前那作为间谍的过往，和曾远离的破碎关系。

　　官方宣布第二部

　　故事发生在美丽的志摩市。因交通意外失去母亲的小男孩相泽透，一天在好奇心的驱使下，在海岛上找到一块闪烁着红光的石头，上面还有一枚蛋。刚握在手里，从蛋里竟孵出一只小乌龟来，为了纪念母亲生前对他的昵称，小透给小乌龟起名为“透透”，并瞒着父亲孝介把透透养在家里。
　　平常在家里不爱说话的小透，由此一天天的开朗起来，这让孝介感到惊讶而欣慰。然而，事情并没有这么简单，这并不是普通的小乌龟，它不但生长速度惊人，而且还懂得制造气流在空中飞行，青梅竹马的邻家女孩西尾麻衣了解到这一切，她告诉小透，透透有可能是33年前以自爆方式拯救了志摩市的怪兽加美拉。后来，透透长大到实在没法遮掩，小透便把它搬进了海边一个秘密小屋。
　　麻衣原来一直有心脏毛病，翌日她将要到名古屋的大医院动手术。得知此事，小透决定要送给麻衣当地流传能带来好运的绯红色守护石，而这块守护石，正是透透出生时那块发出红光的石头窝，麻衣为此向“两个小透”都表示感激。
　　一天，小屋里的透透突然不见踪影，小透正要四出寻找，一头凶恶的蜥蜴怪兽积达士出现，不仅在市镇上大肆破坏，还掠食人类。孝介赶到现场，打算带儿子和他的小伙伴脱离险境，却不知积达士已经在背后张开了血盆大口。千钧一发之际，一个庞大身影闪过将积达士撞开，果然，透透就是年幼的加美拉。
　　只有成年体型四分之一的透透，经过苦战一场，终于把积达士打入大海，而自己也耗尽了力气，被政府内阁官员带同巨型生物审议委员会抓走，小透却只能眼睁睁的看着透透被军方押送离开。不过，坏消息随后带来了一个好消息：麻衣的母亲来电告诉小透，女儿的手术顺利完成，奇怪的是，麻衣在梦中却一直念叨着要把守护石还给透透。
　　学者雨宫本想对加美拉进行催长手术，好让它尽快长大足以抵抗恐怖怪兽的袭击，没想试验还在进行的时候，积达士再次在名古屋登陆，直接给研究所杀了个措手不及，成长不完全的透透，也只好再度迎战。而此时的小透，正在赶往名古屋的路上，他明白到守护石必须回到透透身上，才能让透透发挥出最大的力量。
　　可是小透徒步实在太慢了，麻衣也心急如焚要亲自送守护石回去，却被父母和医生劝阻，透透面对积达士完全没有还手之力，这下子可危险了……！

　　一艘外星飞船坠毁在沙漠中一个与世隔绝的小镇上。它被保护的内容被破坏，释放出一种潜伏的寄生虫，攻击包括人类在内的所有生物的大脑，使它们迷失方向，不自然地变得强壮。

　　故事紧接《人类清除计划3》。从贩毒集团手中脱逃的阿德拉与丈夫胡安自墨西哥来到美国得克萨斯州生活，后者在塔克家族的牧场工作。胡安深受塔克一家的族长，凯莱布的赏识，但这也让凯莱布之子迪伦心生妒忌。但在一年一度的“人类清除计划”过后的早上，一支地下组织意图将杀戮继续进行下去，让全美陷入狂乱之中。包括迪伦妻子和妹妹在内的塔克一家也遭受波及，迫使众人联合起来对付暴徒，并设法逃入开放边境仅有六小时的墨西哥。

　　凯文·弗林（杰夫·布里吉斯 Jeff Bridges 饰）是个天才程序员，然而曾经开发的一款游戏软件被前同事盗取，为了证实那是自己的作品，凯文试图进入前同事公司的主控程序MCP，却发现其已经强大到随意控制其他程序。凯文求助于同事艾伦（布鲁斯·巴克林纳 Bruce Boxleitner 饰），后者设计了一款钳制MCP的程序Tron，不想MCP察觉了凯文的动作，将他吸进程序空间，变成一个掌控之下的小程序。在MCP空间内，凯文需要保住性命，更要找到破解方法回到现实……
　　《电子世界争霸战》是史上第一部赛博空间题材电影。

　　故事发生在《复仇者联盟4：终局之战》事件之后，尚气（刘思慕 饰）卷入秘密的十环帮组织，被迫面对自己隐秘的过去经历。

　　未来巴黎，阶层鸿沟割裂都市。超脑Alma执掌秩序，其创造者暴毙后，警探萨利亚联手泽姆揭开颠覆割裂世界的惊天谜团。

　　在一场车祸中，永井圭（佐藤健 饰）意外发现自己竟然是一名“亚人”。亚人，拥有着和人类一样的外貌，却有着惊人的自愈能力和不死之身，为了获得亚人神秘的力量，政府逮捕并监禁了现今已经发现的亚人们，包括永井圭，在他们身上进行残忍的活体实验，然而对外，政府却声称这一行为是在保护亚人。
　　同样身为亚人的佐藤（绫野刚 饰）救出了永井圭，希望后者能够加入自己的阵营。佐藤依靠着进行恐怖活动来威胁政府，提出建立亚人自治区的诉求。永井圭知道佐藤生性贪婪邪恶，不愿意就范，因此亦被佐藤视为敌人。身处漩涡的中心，永井圭知道，这并不单单只是佐藤和自己的战争，而是人类和亚人之间的博弈。

　　剧情大概：
　　一个执行太空任务从宇宙归来的太空舱里的船员被天外异形下了药变成了可怕的怪物，这种异形能寄生到人体使其发生肢体变异。同时期一组洞穴探险员来到城市郊外溶洞探险，没想到此地已经被异形占领，他们只能靠本能来逃脱异形所设下的种种陷阱……（说起山寨，意大利人才应该算是鼻祖吧，就如同这部电影标题一般…不要对这部电影有任何企图，他只会让你变成扑克脸- -）
　　血腥度：4
　　片中怪物数量：？
　　怪物类型：外星生物
　　怪物特点：寄生
　　怪物必杀技：变形
　　怪物恶心度：3

　　核子大战十七年后，仅存的人类被集中看管，电脑像狱卒一样，人类被机器人囚禁着。人类已丧失生育能力而只能活活等死。为研制新人种，人类在实验室秘密培育胎儿，以此拯救人类。不料消息走漏，监控电脑派出机器杀手追杀已育有胎儿的母亲玛莉。实验室被毁，玛莉饶幸逃脱，在末日勇士奥斯汀的护卫下，躲避着疯狂的追杀.........人类的希望是否破灭.......

　　Eric Braeden stars as Dr. Charles Forbin, who has created a supercomputer named Colossus, built solely for the purpose of controlling the nuclear defenses of the Western alliance. It isn't too long after, however, that the Russians announce that they too have built a similar computer for those same purposes on their side--Guardian. And when the two machines begin sharing information at a speed nobody can believe, an attempt is made to disable them.
　　This unfortunately just raises the machines' ire; and in retaliation, they launch their weapons at each other's home nations. The result is a chilling scenario that is potentially becoming all too real these days.
　　COLOSSUS: THE FORBIN PROJECT was not a big hit at the box office for various reasons. One is that its cast wasn't exactly well known. Another reason is that its ending isn't exactly a happy one. Still a third reason is that Universal had trouble trying to promote it in the wake of the huge success of Stanley Kubrick's 2001: A SPACE ODYSSEY. The latter reason is obvious: Colossus and Guardian, like HAL in the Kubrick movie, become central characters here. The difference here is that while HAL malfunctions due to a programming conflict, Colossus and Guardian remain all too stable, convinced beyond a doubt that they know how to protect Mankind better than Man himself. As the computers point out: "One inevitable rule is that Mankind is his own worst enemy."
　　Joseph Sargent's direction is efficient, and the special effects work of Albert Whitlock still manages to work despite its obvious age. An overlooked gem in the sci-fi genre, this should be given a revival.

　　致命病毒肆虐全球，引发末日危机。疫情爆发一年后，一名幸存的男孩找到台破旧的机器人，两人携手展开了一趟冒险旅途，要寻找神秘的57区。

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.
　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?
　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.
　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.
　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.
　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.
　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

当一位机器人专家将丧子之痛倾注于打造"罗宾"——一个功能完备的机器人时，接连发生的恐怖事件逐渐揭示：这个机械造物正用尽手段，不允许创造者对其他人存有情感，试图独占创造者的全部。

　　曾以《鬼摇灵》荣登上印尼影史最卖座鬼片的导演乔可安华，动作新作《闪电奇侠刚达拉》不让漫威、DC专美于前，决定将印尼问世半世纪的经典漫画〈刚达拉〉搬上大银幕。刚达拉不仅有闪电侠的外型、雷神索尔的威能、美国队长的领袖特质、以及V怪客的左翼精神，加上媲美叶问的刚猛动作与炫目的视觉效果，既接地气又有全球性。影片不仅创下高票房，导演、演员、技术与原创性，皆获好评，一举入围堪称印尼奥斯卡的芝特拉电影奖九项大奖。

　　在未来的反乌托邦国度中，囚犯们被关押在垂直堆叠的牢房里，饥肠辘辘地看着食物从上层落下，靠近顶层的人吃得饱饱的，而位于底层的人则因饥饿而变得激进。
　　由加尔德·加斯特卢-乌鲁希亚执导的《饥饿站台》是一部扭曲的社会寓言，讲述了人类最黑暗和最饥渴的一面。

　　杨先生(易烊千玺饰)是凌波出行系统的发明者、也是科技的绝对推崇者。在父亲弥留之际，他强行进行意识上传，却意外失败。在女医生Q的协助下，杨进入父亲的意识碎片，化身不同角色亲历其人生重要时刻，最终他理解了父亲对自由与生命的坚守，完成跨时空的和解。

　　马丁（迈克尔·J·福克斯 饰）从他生活的八十年代来到了1955年，根据好朋友埃米• 布朗博士（克里斯托弗·洛伊德 饰）于1885年留下的信件，马丁找到了博士研制的时空穿梭机。本以为可以乘坐着这台机器回到未来，马丁却意外发现了博士的墓碑，原来他在留下那封信后不久便被人杀害。为了拯救埃米博士，马丁乘坐时空穿梭机来到了1885年的美国西部。 马丁能否改变历史，拯救博士的生命？二人能否成功回到未来？“
　　回到未来三部曲”完结篇，一起与马丁乘坐时空穿梭机畅游时间。

　　来自未来的时空特警杰克·迪特被带回到过去，被授予摧毁“诡计”计划的任务，才有机会阻止失控的世界陷入混乱和战争的状态。

　　这是一部关于寻找外星人的电影，各位道友智商堪忧……各位想看大脚怪/野人那部的请移步

　　Can I Get a Witness? tells the story of a mother and daughter in a near-future world where huge sacrifices are made to maintain life on Earth.
　　With its resources swallowed by e-waste and overpopulation, the world is experiencing an anthropogenic collapse. To manage, technological advances are shunned. Nobody has electricity and only people with exceptions are permitted cars. Most importantly, there is also a collective agreement that nobody is allowed to live beyond the age of 50.
　　Oh’s Ellie lives with her teenage daughter Kiah (Keira Jang), who is starting her first day as a Documenter, an important role in this new world order. She uses her artistic gifts — beautifully conjured in animations — to draw the dying ceremonies, since printing and photography have been banned.
　　Kiah is paired with Daniel (Joel Oulette), the young man who performs the contractual elements of each person’s end-of-life ceremony. He matter-of-factly provides the packages a person can choose, sets them up when the time comes, and performs the burials. But his new coworker is having a hard time handling the emotional impacts of the job.

　　国家的经济正在快速崩溃，罪犯和黑暗势力控制了整个国家，政府已经无能为力，一个女人有了答案，她和其他人会不惜一切去找到他。他是谁？他是约翰.高尔特。本片获得第35届金酸莓奖提名最差翻拍、节选与续集。