因无法忍受家人所带来的压力，少女莫妮卡（哈里特·安德森 Harriet Andersson 饰）决定离家出走，她找到了与自己情投意合的男孩哈里（Lars Ekborg 饰），希望能够与他一同生活。莫妮卡的到来让哈里欣喜若狂，在丢掉了工作后，两人驾着小艇，度过了一段悠游自 在的快乐时光。
　　可是，逐渐拮据的经济让两个年轻人意识到这种生活并非长久之计，与此同时，莫妮卡的怀孕也给两人之间的关系带来了质的改变。莫妮卡和哈里结婚了，哈里外出工作，莫妮卡生下了一个可爱的女儿。然而，孩子的到来并没有让莫妮卡感到快乐，反而让她感到了束缚和不自由，而在日复一日的枯燥工作中，莫妮卡和曾经的情人旧情复燃，一个本来美满和睦的家庭开始分崩离析。

　　陕西关中地区的一个村子，是东风农业社的所在地，那里充满跃进的气息。青年女生产队长李春兰在党支部陈书记的亲自领导下，带领十多个姑娘搞“棉花生产试验田”。她们为这块棉田费尽了心血。李春兰决心要和邻社的植棉能手张秀芳竞赛，她发誓“赶不上张秀芳就不结婚”。棉花的生长一切顺利，姑娘们为棉花打尖、施肥和灭虫，劳动干劲很高。但是，李春兰发现棉花光长高，棉铃和棉蕾却不断脱落。李春兰心中十分焦急，却没有办法治理。陈书记启发她不要在困难面前低头，让她主动找张秀芳，请她来帮助指导。李春兰的头脑开始清醒了，她打算让张秀芳来指导，找出棉花疯长和脱蕾脱花的根源。但是，她的打算遭到了组里一部分姑娘的反对。她们不同意让竞争对手来指导，更猜测她不会来指导。李春兰想都是为了社会主义事业，她坚信张秀芳会来的。张秀芳从县里开完会回来，刚走到田埂上，便听到了东风社棉田出了问题的消息。她顾不得回家，准备赶往李春兰处去看个明白。有些社员认为这样还搞什么竞赛，干脆把红旗送给李春兰算了。张秀芳及时对这些人进行了思想教育，纠正了他们的错误观点。张秀芳来到东风社，发现李春兰她们的棉田脱蕾脱花是由于肥料不纯引起的，便帮助她们加强棉田的后期管理，使棉花生长中的问题得到了解决。经过辛勤的劳动，李春兰的棉花试验田，获得了丰收。李春兰激动地对张秀芳说“你给了我们最宝贵的东西，那就是共产主义风格”。丰收的棉花雪海银山，形成了一幅壮美的图画。

　　A real life drama unfolds of the stage that is supposed to carry an opening night of a musical... People, who were headed to a cheerful and bright celebration, come face to face with death. They become hostages, they go through a terrible ordeal preserving their human dignity and courage. The ordinary people become heroes.

　　伊凡带新婚妻子旺达到罗马度蜜月，这是历史上最缺乏浪漫色彩的蜜月之行，严格死板的安排便是与亲人朋友见面，会见主教等。但年轻貌美的旺达痴迷于一个源于浮华表面的卡通英雄，于是临阵逃婚，开始寻找她那神往的白酋长……

　　第二次世界大战如火如荼，法西斯德国正在积极进攻苏联。
　　战斗在各个方面进行，每天都有成千上万的士兵在战场上死亡。
　　在前线，显然缺少弹药和物资。
　　而且，武器的质量也会受到影响。
　　而此时，在一场战斗中，一名年轻的普通士兵米哈伊尔·卡拉什尼科夫收到了一颗子弹。
　　他在苏联最贫穷的地区之一长大，是最有才华的人之一。
　　在战斗中，他受了重伤，最终住进了一家野战医院。
　　传奇人物AK-47突击步枪使这个举世闻名的人的传记和生活故事。
　　毕竟，这名年轻但雄心勃勃的士兵是在医院严重受伤后的康复期间开始考虑自己未来的命运。
　　没有机会回到前线。
　　但是这个人确实是一个真正的爱国者，全心全意地为自己的祖国哭泣。
　　因此，他甚至没有机会拿着武器在战场上作战，而是发明了著名的突击步枪，这一名字至今仍以他的名字命名。
　　一个坚强的人精神和内心的故事。
　　影片展示了米哈伊尔·卡拉什尼科夫的生活，感情和痛苦。

　　影片以一个小男孩的视角描写了东欧“二战”期间的悲惨景象。小男孩的父母把他送到乡下避难，但与他失去了联系。男孩开始在各个村庄之间流浪。因为他的黑头发、黑眼睛，村民认为他是吉卜赛人，会给村子带来不祥，以各种方式折磨他。他曾被埋在土里，只有脑袋露在外面，乌鸦将他啄得伤痕累累。他目睹人们在暴力、堕落和无知的牢固链环中彼此吞噬。当他躺在铁轨上，让火车从自己身上呼啸而过，他体会到的只有饱受凌辱却依然幸存的快乐。影片在黑白光影下呈现出绝美的视觉质感，一出战争浮生录在魔幻的视角下就此展开。

　　电影有两条主线并行推进。
　　第一条主线讲述的是德维（瑞恰·查达饰）的故事，她与一个小伙子开房遭遇警察“扫黄”，小伙子自杀身亡，父亲帕塔克（桑杰·米什拉饰）成了腐败警官的勒索对象，德维不得不背井离乡。
　　第二条主线讲述的是迪帕克（维基·科萨尔饰）的故事，他家是从事火葬行业的低种姓世家，但却同高种姓女生沙露（斯薇塔·特瑞帕蒂饰）深深地相爱了，但一场意外又将命运多舛的他推向了深渊。
　　最后两条主线交会在恒河岸边。社会的矛盾、生活的无奈就这样如长卷般徐徐展开，平淡似水，又感人至深。

　　萨马尔•阿南德少校（沙鲁克•汗 Shahrukh Khan 饰）是个排雷防爆的专家，在军队中保持着自己的拆弹记录。他每天的工作穿梭于生死边缘，坦然面对生死的他却从不穿防护设备。意外救下了少女阿琪拉•拉耶（安努舒卡•莎玛 Anushka Sharma 饰），遗留的日记本里记忆的爱情故事让这个女孩对萨马尔深深着迷。利用探索频道实习生的身份，阿琪拉对萨马尔进行为期两周的故事记录，渐渐的，她深入到了萨马尔的故事中。原来十几年前的穷小子萨马尔在伦敦做流浪歌手偶遇了富家女米拉•塔帕尔（卡特莉娜•卡芙 Katrina Kaif 饰），用其美妙的歌声打动了她的心。已经订婚的米拉无可救药的与他相爱了。然而虔诚的基督徒米拉却在萨马尔遭遇一次车祸后向神祈祷如果他能活下来，就永不再见面。存活下来的萨马尔因此失去了心爱的米拉，为此他向神挑战，要么让他死去，要么让米拉回到她的身边。就这样，萨马尔回到了印度，开始了枪林弹雨的危险军旅生活。然而2012年他为了阿琪拉的纪录片再次回到伦敦再次遭遇车祸，失忆将心爱的米拉再次推回到了他的生活中…
　　该片是被誉为“宝莱坞浪漫爱情片之父”的导演雅什•乔普拉的遗作。

　　电影讲述了一位父亲与他渴望出国留学的女儿之间的故事，同时展现了父亲为实现女儿的梦想面临的种种困难，以及想方设法克服困难的过程。

　　一位政治教父去世了，许多装扮成政客的盗贼接管了政权。关于上帝继承人的问题也随之而来，除了上帝最钟爱的天使路西法之外，还出现了几个名字。

　　Super30基于印度天才数学家Anand Kumar的非凡真实故事，他出生于印度比哈尔邦的一个非常贫穷的家庭。Anand每年将30名高度贫困但学术上光明的学生引入他的“超级30”课程，并在一个高效设计的课程中免费教导他们学生帮助他们破解印度最严格的印度理工学院（IIT）入学考试。这部电影捕捉了阿南德生活的考验和磨难，以及他为建立“超级30”学院所面临的挑战。这是一个鼓舞人心的故事，讲述了他的斗争和成就，以及一个人如何改变贫困学生的生活。

　　警方的心理专家保罗在审问一名被误抓的犯人润姆时，失手将其打死。多年后，在保罗的周围发生了一桩桩神秘的少女谋杀案，案发事先会用电子邮件传送录像告知保罗下一个受害者的目标，警方迫与媒体的压力，将保罗当成替罪羊，保罗能否洗清罪名.....

　　深蓝夜空之下，宁静深邃的大海中央，摇来一艘名叫“月神（La Luna）”的小船。船上坐着祖孙三代，拖着长长白胡子的爷爷，孔武健壮的父亲，以及忽闪着清澈明亮大眼睛的小男孩。爷爷送给孙子一顶帽子，似乎象征了某种重要仪式的开始，对于男孩来说，也许这便是他成为男人的证明。只是自古以来，一代与一代相互依存，却总有思想上的鸿沟，割舍不掉的则是血缘之情。不知不觉间，散发着乳白色皎洁光芒的满月从海水中升起，悬浮夜空。爸爸支好梯子，男孩则背着铁锚爬了上去。原来，那发出光芒的竟然是遍布月亮表面的星星，它们穿过宇宙，似流星般坠落，装饰着这颗美丽的小行星。
　　阴晴圆缺，一如永世不变的约定……

　　《茜茜公主》系列影片包括《茜茜公主》、《年轻的皇后》和《皇后的命运》三部曲。作为系列影片的首部，该片讲述了茜茜公主（罗密·施奈德 Romy Schneider 饰）与奥地利国王弗兰兹·约瑟夫（卡尔亨兹·伯恩 Karlheinz Böhm 饰）邂逅相恋的故事。
　　茜茜出生在 巴伐利亚的贵族之家，她美艳动人，性格活泼。姨妈苏菲打算安排自己的儿子，即奥地利王位继承人弗兰兹，在他的生日庆典上与茜茜的姐姐海伦订婚。母亲和姐姐带着茜茜赴奥地利参加庆典，调皮的她偷偷溜出去钓鱼，不料却与英俊的国王弗兰兹相遇。茜茜动人的微笑深深击中弗兰兹，让他彻底爱上了天真纯情的茜茜，并不顾一切违背母亲苏菲的旨意，在生日庆典上宣布茜茜才是自己的皇后。虽然有情人终成眷属，但这段浪漫纯真的爱情却是刚刚面临考验。

　　影片表现了13世纪俄国亚历山大·内夫斯基王子率领军民击溃掠夺成性的德国立窝尼亚条顿骑士的业绩。爱森斯坦借鉴民间叙事诗的技巧，使这一爱国史诗具有明显的壮丽歌剧的风格。条顿骑士入侵俄国后，无恶不作。他们洗劫普斯科夫，吊死爱国者。内夫斯基带领人民群众，以伊格纳特等积极分子为骨干力量，保卫了重镇诺夫哥罗德，消灭了叛徒托瓦尔其洛。最后，在楚德湖的冰面上大败条顿骑士。

　　帕布罗（塞尔吉奥·埃尔南德斯 Sergio Hernández 饰）从小就怀揣着有关舞蹈的梦想，并且一直奋斗在追逐梦想的道路上，与此同时，帕布罗是一名同性恋者，对于自己独特的性取向，他欣然接受，可是帕布罗那个性古板而又保守的父亲璜却一直无法接受儿子异于常人的地方。父子两人因为此事爆发过无数次争吵，亲情十分的淡漠。
　　无奈之下，帕布罗只能将内心里郁闷的情绪发泄在夜店和欢场之中，私生活一度非常的混乱。一场意外的发生让帕布罗和璜经历了人生的剧变，家庭、事业、感情遭受了三重的打击，但也正是这场意外让这家人开始正视起长久以来存在于这个家庭之中的问题来。

　　警长与他的弟弟去墨西哥寻仇，发现仇人已成为当地一霸，然而一段二十年前的往事却让这场复仇遭遇到了困难……

　　George Bryan Brummel, a British military officer, loves Lady Margery, the betrothed of Lord Alvanley. Despite her own desperate love for Brummel, she submits to family pressure and marries Lord Alvanley. Brummel, broken-hearted, embarks upon a life of revelry. He befriends the Prince of Wales and leaves the army, becoming subsequently the best-known rake and decider of fashion in Europe. As his affairs flourish, so does his disdain for his benefactor, the Prince. Eventually Brummel falls into disfavor, and it is only Lady Margery who has any chance of helping him.

　　While hunting in the jungle, one day, Vijay save the life of a young man from the sudden attack of a wild hawk. There and then Vijay realizes that he have just save the life of a miraculous snake who have the powers to take the form of a human and who have been dating his beloved; also a miraculous female snake. Vijay browse this news to his five friends who immediately shoot the male snake to death. Enraged at the brutal killing of her beloved; the female snake begins to take revenge on the six friends, killing them one by one by taking the form of humans. Now the only one who can save the six friends is a sage but it certainly looks like the miraculous snake might as well do away with all her enemies before the sage lay hands on her.

　　Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another.
　　The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!

　　Fernando Di Leo's "Milano Calibro 9" is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, "Milano Calibro 9" was followed by "La Mala Ordina" (aka. "Manhunt", also 1972) and the brilliant "Il Boss" (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned "Manhunt" is (allthough excellent) slightly inferior to this one and "Il Boss" which both stand out as absolute all-time highlights of crime cinema. "Milano Calibro 9" is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen.
　　Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan...
　　"Milano Calibro 9" is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don.
　　The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like "Milano Calibro 9" are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.

　　毫无戒备的酒店员工爱上了一位客人，而后被卷入一个绑架人质计划，并在意想不到之地找到了真爱。

　　本动画片为我们描绘了一个想象中的可怖世界，曾获得1962年奥斯卡动画片奖。
　　男人在美丽的海边用可充气气球为自己制造了安逸的度假氛围，可充气气球不但为他变作帐篷、躺椅、水球等物件，还如他所愿化身美食和美人。制作出来一个颇具姿色的美人后，男人非常满意，可是美人却瞧不上他。为了赢得美人的芳心，男人开始利用可充气气球来恐吓她，美人暂时被他征服。随后，美人趁他不留神，勾搭上一名健硕的男子，他又与该男子展开争夺战。然而，他和那块秀美的风景区，不过也是可充气的替代品而已。